The Mess of Making: A Conversation with Onyeka Igwe
'Legibility and illegibility are a constant push and pull whenever I’m making something.'
Another Gaze↑
A journal of films and feminisms
Like the Rings of a Tree: Viktoria Schmid’s Three-Colour Separations
Filmic technique collapses time and place; the filmmaker and her recording devices are themselves a distillation.
Things That Can Never Be Assimilated: Basma al-Sharif on Morgenkreis
'I think the moment of being obscure is over now that everybody knows what's happened, or where our struggle was born.'
Destroying the Evidence with Jordan Lord
Lord refuses the fantasy that description is ever fully neutral. On the contrary, it heightens subjectivity.
Staging the Impossible: A Conversation with Suneil Sanzgiri
Solidarity is thorny, and to practice it is to inhabit its contradictions.
From Landscape to Environment: Laida Lertxundi on Películas
‘Film and sound are anti-narcissistic mediums; they make you want to record the world.’
Painting a World of Rest With Marthe Peters
'With film, there’s this sense of disappointment, because I’m working on something for a long time which I can’t even touch.'
The Landscape Taught Me How to Look: A Conversation with Maureen Fazendeiro
'I always think that the camera is an extension of the body. I think it has to do with the fact that I was a dancer until I decided to make films.'
Hiding in Plain Sight: Jenny Brady on The Glass Booth
The Glass Booth contemplates the duality of the interpreter, ubiquitous yet concealed.
Editorial
The editors reflect on the Another Gaze project on the occasion of its relaunch.
On Emerald Fennell's “Wuthering Heights”
Proceeding from the notion that a novel cannot be filmed, Fennell strikes out boldly under the banner of defeat.
Talking Motherhood
Contemplating depictions of transgressive motherhood in If I Had Legs I'd Kick You and Die My Love.
On Tang Shu Shuen’s The Arch (1968)
Iconoclasm beats at the heart of Tang Shu Shuen’s historical melodrama.
On Robina Rose’s Nightshift (1981)
London’s countercultural scene hangs out at The Portobello Hotel.
Niki de Saint Phalle’s Longest Dream
Questing to protect children from the trauma and tedium of adults.
Two Decades in Another Decade
Looking back at the post-2010s fixation on the 1970s: is it time to move on?
Page 1 of 21
Next