Strike on Film: Madeline Anderson’s ‘I Am Somebody’ (1970)
This essay was originally published in Another Gaze 04 (March 2020)
Another Gaze↑
A journal of films and feminisms
Call for Pitches | Another Gaze 05: The Old World May Be Dead
Another Gaze is seeking submissions for its fifth print issue, to be published this autumn.
Mr Zuckerberg, Tear Down My Wall
A common narrative about social media goes like this: something something anxiety and deep insecurity; it’s hard to see an…
Locating the Lesbian Hand in Barbara Hammer's Early Works
Barbara Hammer’s 'Double Strength' (1976) opens with a sequence of sepia photographs featuring Hammer and her then-partner, Terry Sendgraff, a…
Another Gaze presents: The Legacies of Sarah Maldoror (1929–2020) —12 May 2020
Sign up to the eventbrite for updates and Zoom link here.
Those Who Keep and Those Who Throw Away: On Hoarding in 'Grey Gardens', 'The Gleaners and I' and 'Tidying Up With Marie Kondo'
“That’s all I need: an ordered life” —Edith 'Little Edie' Bouvier Beale, Grey Gardens
Towards a Diffractive Cinema: The Video Works of Amanda Melissa Baggs (1980–2020)
Amanda Melissa Baggs, also known as Mel Baggs, died on 11 April 2020. This essay was originally published in print…
Cinema, Carcerality and Covid-19: On Watching Brett Story’s 'The Prison In Twelve Landscapes' (2016)
How do you represent the prison system cinematically? A certain syntax of images springs to mind: a concrete wall, coils…
As a Woman in America, Always: Eliza Hittman’s 'Never Rarely Sometimes Always'
Autumn, the 17-year-old protagonist of Eliza Hittman’s sophomore film Never Rarely Sometimes Always (2020), first stands out because of her…
The Talking Cinema of Barbara Hammer (1939 – 2019)
“I’ve never shown ten of my films in chronological order before. I’m going to be sitting there with you and…
'Olivia' by Olivia
Midway through Olivia, headmistress Mlle Julie (Edwige Feuillère), going to bed, notices light under the door of one of her…
A Hellish Commons: Bong Joon-ho’s 'Parasite'
Bong Joon-ho’s Parasite (2019) is an upstairs-downstairs tale of contemporary class inequalities, as a poor and a rich family become…
'Still Moving': Ulrike Ottinger’s Shifting Archive of Identity
An experimental documentary that unpacks a personal archive without exposition, narration, or dialogue, Ulrike Ottinger’s Still Moving (2009) relies instead…
Call For Submissions – Another Gaze: The Japan Issue アナザーゲイズ:日本特集
In November 2019, Another Gaze travelled to Japan to interview sixteen women filmmakers. For our fifth issue, we are seeking…
Elizabeth Banks’s 'Charlie’s Angels' and the death of early millennial camp
When I heard that Sony was going to be rebooting Charlie’s Angels in 2015, my heart – to cite Ariana…
“Not my country, not my home, nobody in the whole world”: The Life and Cinema of Lorenza Mazzetti (1928 – 2020)
When she arrived at the British border off the ferry from France in 1951, Lorenza Mazzetti’s Italian passport was stamped…