In Search of Lost Time: Theresa Hak Kyung Cha’s Cinematic Imagination
This essay appears in Another Gaze 05 which you can preorderhere.
A journal of films and feminisms
This essay appears in Another Gaze 05 which you can preorderhere.
The lingering profundities of horror are rarely to be found in a film’s straightforward symbolism but instead in the figurative…
The women in Werner Schroeter’s exuberant films come into sharp focus via two scenes from Der Bomberpilot (The Bomber Pilot,…
Courtney Stephens’s performance lecture Terra Femme ranges from the North Pole to the South Seas, and over everywhere in between.…
Emma Seligman’s Shiva Baby is a confused and hectic debut that follows a young woman, Danielle (Rachel Sennott), who is…
Emerald Fennell’s Promising Young Woman opens to the dreamy electronic notes of Charli XCX’s ‘Boys’, the London singer’s 2017 light-hearted…
These introductions were originally read as part of the roundtable 'The Legacies of Sarah Maldoror 1928–2020' (12 May 2020), which…
From the first moments of The Scary of Sixty-First, I was thinking about Sofia Coppola. Not the films she directed,…
Midway through Simple Passion (2020) the protagonist, Hélène, played with studied poise by Laetitia Dosch, announces to her lover, “I…
“Dreamlike”, “transitory”, “driftily disjointed” – reviewers have used these terms fittingly to describe Zheng Lu Xinyuan’s debut feature, The Cloud…
For Janina Duszejko, the Polish protagonist of Olga Tokarczuk’s Drive Your Plow Over the Bones of the Dead (Prowadź swój…
In a post-war Italy ravaged by two decades of fascism, reckoning with the ruins of its urban landscape, young photographer…
For a period of 12 months during 1968 and 1969, Rebecca Horn was isolated in hospital with lung poisoning contracted…
Elaine May adapts Elaine Dundy’s ‘The Dud Avocado’
From the 10th to the 23rd of July 2019, Puerto Rico, a Caribbean archipelago that has been subjected to U.S.…
“That's the way I work: I try to imagine what I would like to see,” said Sofia Coppola in an…