Review: 'Princess Cyd'
There is a particular way that teenage girls are imagined in cinema: situated in seemingly endless summers, they waft about…
A journal of films and feminisms
There is a particular way that teenage girls are imagined in cinema: situated in seemingly endless summers, they waft about…
Ildikó Enyedi’s On Body and Soul (2017) is an exercise in counterpoint. From its opening sequences, the film unravels a…
In her first feature,It Felt Like Love (2013), Eliza Hittman explored a young Brooklyn girl’s troubled life as she attempts…
Hong Sangsoo’s On the Beach At Night Alone is in fact two films. Shot by different cinematographers (Kim Hyung-koo and…
In her memoir Un an après, the purported basis for Michel Hazanavicius’s Redoubtable, the late Anne Wiazemsky recalls her astonishment,…
“Unfortunately, most films by women aren’t that good.” This declaration, made just two thirds of the way through the first…
[embed]https://www.youtube.com/watch?v=kOCfBulvm68[/embed]
Much like Okja the genetically modified pig, Okja the film had a controversial and ground-breaking genesis. It is one of…
Haifaa al-Mansour’s Mary Shelley suggests that the eponymous writer’s classic novel Frankenstein is the result of the influence of men…
TW: Rape
Elisabeth Subrin’s A Woman, a Part opens with an image of three figures in single file, arms reaching upwards in…
TW: rape
Germaine Dulac’s La Coquille et le Clergyman (The Seashell and the Clergyman) was arguably the first surrealist film ever made.…
Virginia, 1864. The Farnsworth Seminary for Young Ladies – five pupils of varying ages, under the care of Miss Martha…
TW: Mentions of slavery and domestic abuse
[embed]https://www.youtube.com/watch?v=RDJ4MIqs38[/embed]