Mexico

ReviewsJune 18, 2019

A Different Kind of Duration: Lila Avilés’s ‘The Chambermaid’

by Hannah Paveck

The Hotel, Room 47: an open suitcase; mussed bedsheets; a torn postcard of Venetian sights, its eight pieces carefully re-assembled….

Essays, ReviewsJanuary 20, 2019

Notes on Alfonso Cuarón’s ‘Roma’

by Phoebe Chen

The first plane in Alfonso Cuarón’s Roma sails across a snatch of sky mirrored in soapy water; the next, in…

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