Despite its Name, Maya Da-Rin’s ‘A Febre’ (‘The Fever’) Wards Off Pathologising
In Maya Da-Rin’s first narrative feature film, A Febre (The Fever), Justino sits with his grandson Josué in the kitchen…
In Maya Da-Rin’s first narrative feature film, A Febre (The Fever), Justino sits with his grandson Josué in the kitchen…
A conversation between Everlane Moraes, Janaína Oliveira, Kênia Freitas, and Tatiana Carvalho Costa. Translated by Lillian Maguire and Natalia Davies….
Obscuro Barroco (2018) is shot through with the baroque. Textures of fabric and flesh, caught in movement, guide the essay…