Belgium

EssaysOctober 5, 2018

Ordinary Devotion: The Seduction of Normalcy in Chantal Akerman’s ‘No Home Movie’

by Alice Blackhurst

Chantal Akerman’s final film, No Home Movie, opens with an image of a tree in the Israeli desert, being buffeted…

EssaysMay 1, 2018

Radical Banality: On Chantal Akerman, Labour in Cinema, and the Legacy of May ‘68

by Adina Glickstein

“The most boring, monotonous films [sic] any director ever made. In this film, they just show the woman doing her…

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