The Great Digestive Machine: Inside the Choreography of Loie Fuller and the Underwater Cinema of Geneviève Hamon and Jean Painlevé
If the afterlife exists, I’ve always imagined that I’d like mine to be underwater. I’d be reborn as something with…
If the afterlife exists, I’ve always imagined that I’d like mine to be underwater. I’d be reborn as something with…
“I live for the nude rabble rousing of Carolee Schneemann”.1 These words, written in a recent Facebook post by Lena…
“How is it that some people decide the fate of others?” asks Rosa Luxemburg in the opening of Margarethe von…
Claudia Weill’s Girlfriends (1978) feels at once strikingly fresh and familiar, which is perhaps the secret of its enduring popularity…