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Issue 04
p9 The Last Good Male Film Critic – Missouri Williams
p12 On Lorenza Mazzetti – Francesca Massarenti
OTHERWISE
p20 “No Legibility for Some, Illegibility for All”: Subtitles, Captions, and the Pursuit of a Comprehensive World – Sasha Kohan
p25 Towards a diffractive cinema: The video works of Amanda Baggs – Julián Gatto
p30 Otherwise Notes on Being Perennially In-Between – Therese Henningsen and Andrea Luka Zimmerman
ANTHROPOCENE
p36 Towards an Embodied Ecocriticism: On Laure Prouvost’s ‘Shed a Light’ (2018) – Adina Glickstein
p39 A Sense of the Sublime: In Conversation with Brett Story – Amanda Barbour
p42 Dreamscapes and Ethnospheres: Ben Rivers and Anocha Suwichakornpong’s KRABI, 2562 (2019) – Phoebe Campion
AGNIESZKA HOLLAND’S SPOOR / OLGA TOKARCZUK
p46 On Agnieszka Holland’s Spoor and the difficulties of translating between worlds – Lauren Collee
p51 How Do You Solve a Problem like Duszejko?: On Olga Tokarczuk’s Drive Your Plow Over the Bones of the Dead and Agnieszka Holland’s Spoor – Missouri Williams
p58 Imagined Adaptations – Elissa Suh
p63 Six Men, a Yacht, and an Erection: Troubled Masculinities in Athina Rachel Tsangari’s Chevalier – Ruby Mastrodimos
p68 A Critic Between Sontag’s Cannibals – Bessie Rubinstein
p74 Oubliette – Jen Calleja
p78 My Own Lens and Skin: Betzy Bromberg on Personal Filmmaking – Kathryn Siegel
p90 Peyote Queen: Trance, Ritual and the Female Body in the short lms of Storm De Hirsch – Sophia Satchell-Baeza
ZIA ANGER AND ASHLEY CONNOR
p96 The Creative Afterlife: Zia Anger’s My First Film – Rachel Stone
p99 Zia Anger and Ashley Connor in conversation
p106 Ashley Connor and the Cinematography of Teenage Female Identity – Nicole Davis
p112 Maggie Gyllenhaal, The Deuce, & the Rise of Intimacy Coordinators – EC Flamming
REBELLIONS
p116 Cumming Back to Life – The Horrors of Heteronormativity in Bruce LaBruce’s Otto; or, Up with Dead People – Vivien Cahn
p120 Sleepwalking Lessons: Repetition and Insistence in Chantal Akerman and Pina Bausch – Zara Joan Miller
p126 For Magdalena Montezuma – Julia Sirmons
p133 Desirous dreams: the feminist erotics of Rebecca Horn’s Berlin Exercises in Nine Parts (1974-5) – Evelyn Whorrall-Campbell
ANNE CHARLOTTE ROBERTSON
p141 Describing the world otherwise: Anne Charlotte Robertson’s Five Year Diary – Anjo-marí Gouws
p144 A Time-Based Reading of Anne Charlotte Robertson’s Five Year Diary – Kathryn Scanlan
FORMS OF DISCONTENT
p156 Strike on Film: Madeline Anderson’s ‘I Am Somebody’ – Mimi Howard
p166 Mr Zuckerberg, Tear Down My Wall: Karim Amer & Jehane Noujaim’s The Great Hack and Zhu Shengze’s Present.Perfect – Rebecca Liu
p173 Sense-Making From The Ground Up: On The Films of Beatriz Santiago Muñoz – Gazelle Mba
p180 Interview with Director Amandine Gay on her Film Speak Up (Ouvrir la voix) – Cassie da Costa
BRAZILIAN CINEMAS
p187 The Field of Vision: Maya Da-Rin and Camila Freitas – Laura Davis
p191 In Conversation With Maya Da-Rin – Beatrice Loayza
p196 Towards a Quilombo Cinema: A conversation between Everlane Moraes, Janaína Oliveira, Kênia Freitas, and Tatiana Carvalho Costa – Tr. Lillian Maguire and Natalia Davies.
KIRA MURATOVA
p218 Unrequited Passions: Notes on Kira Muratova Muratova – Lizzie Homersham
p222 Queer Bloc: Situations, Generations, Nations – Lina Žigelytė
p228 No Such Thing As Society?: Kira Muratova’s Redemptive Materialism – Georgie Carr
p234 Gong Li’s Rebellious Transformations – Beatrice Loayza
p240 Against Lists – Elena Gorfinkel
ISSUE 03
Agnès Varda’s Brilliant Alchemy – Sandy Flitterman-Lewis
The words and worlds of Carolee Schneemann and Barbara Hammer with two thoughts by Agnès Varda – Alexandra Juhasz
Talking Cinema: Remembering Barbara Hammer (1939–2019) – Gabriella Beckhurst
Locating the Lesbian Hand in Barbara Hammer’s Early Films – Brodie Crellin
In Conversation With Barbara Hammer – Another Gaze
Thinking through Camille Billops (1933–2019) –Terri Francis
Projection, Introspection
The Making of a Millennial Woman – Rebecca Liu
“(Gay Panic)”: Why I Love Fan Subtitles – Devan Wells
The Communicative Power of Silence – Minou Norouzi
Femme, butch and in-between : re-seeing myself between the frames – Claire Mead
Glimpses of her: Grieving through cinema – David Lee-Astley
In Conversation With Akosua Adoma Owusu – Gazelle Mba
OTHER / WORLDLY
Studies in Natural Magic: The video work of Charlotte Pryce – Matt Turner
The Great Digestive Machine: inside the choreography of Loie Fuller and the underwater cinema of Geneviève Hamon and Jean Painlevé – Lauren Collee
No Other Voice: Claire Denis’s High Life – Hannah Paveck
PROJECTING POLITICS
A Different Kind of Duration: Lila Avilés’s The Chambermaid – Hannah Paveck
Dominga Sotomayor’s Unstable Utopias: ‘Too Late to Die Young’ – Bessie Rubinstein
In Search of Gloria Camiruaga, A Lesser- Known Pioneer of Chilean Video Art – Eliza Levinson
Who gets to be ‘the people’? Astra Taylor’s What Is Democracy? and Gabrielle Brady’s Island of the Hungry Ghosts – Rebecca Liu
Filming Philosophy: Interview with Astra Taylor – Esmé Hogeveen
Women on the Edge: History, Temporality, Sisterhood and Political Militancy in Marge Piercy’s Vida and Margarethe von Trotta’s Die bleierne Zeit – Hannah Proctor
From avant-garde masterpiece to divisive film remake — On Ingeborg Bachmann’s Malina – Brigette Manion
Crisis-women: Prostitution and Capitalist Modernity in Lina Wertmüller’s Love and Anarchy – Lila Bullen-Smith
“It was me, but it was not me”: The Uncertain Feminism of Catherine Breillat – Beatrice Loayza
JANE ARDEN AND PENNY SLINGER
“You Don’t Know What You Want, Do You?” The Life and Work of Jane Arden – Joe Passmore
Into The Shadows and Back Out Again: Penny Slinger’s Violent Seductions – Adina Glickstein
The Visible Woman: In Conversation with Penny Slinger – Sophia Satchell-Baeza
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The Big Swallow: In Search of Yonic Imagery – Tilde Fredholm
A Portrait of an Unseen Female Grotesque: Carol Morley’s The Alcohol Years (2000) – Frances Hatherley
In Conversation With Ericka Beckman; On her Super-8 Trilogy – Jesse Cummings
The queer subjectivity of Charlotte Prodger’s BRIDGIT – Frances Whorrall-Campbell
Desire in Language – Suspended: Ulrike Ottinger’s Madame X and the Female Speaking Subject – Eva Klein
Still Appropriating?: Ulrike Ottinger’s Shifting Archive of Identity – J. Makary
Hito Steyerl’s Grey Zone – Mimi Howard
Red, White, Yellow, and Black: A Multiracial Feminist Video Collective, 1972-73 – Emily Watlington
On Ana’s Archive – Lily Hill Evans
“A known fact masquerading as a secret” – On Another Gaze’s ‘Unvictiming’ programme – Phoebe Chen
The Language of Traces: On Mati Diop – Bessie Rubinstein
Review: ‘Atlantique’ – Rebecca Liu
Review: Lee Chang-Dong’s ‘Burning’ – Phoebe Chen
Burning Rage: Oh Jung-mi and the Female Auteur – Suzanne Enzerink and Claire Gullander-Drolet
Angela Schanelec’s ‘I was at home but…’ / ‘Ich war zuhause, aber…’ – Laura Staab