EssaysJune 27, 2023

‘Nothing but defeats’: Fassbinder beyond fragments

By Hannah Proctor

EssaysMarch 5, 2023

Alternative Biographies: The Lives of Artworks in Hanka Włodarczyk’s “Ślad”

By Octavia Stocker

EssaysJanuary 25, 2023

The Lesbian Allure and Colonial Unconscious of Todd Field’s Tár

By Luna Beller-Tadiar

EssaysAugust 20, 2022

Twenty-Eight Portraits of Linda Manz (1961–2020)

By Kathryn Scanlan

EssaysJuly 3, 2022

Inside the Dream: Infant observation during the pandemic and the screen as psychic portal

By Maeve McIlwain

EssaysApril 13, 2022

The Legacies of Sarah Maldoror (1929–2020): A Roundtable Discussion

By Annouchka de Andrade, Awa Konaté, Beti Ellerson, Daniella Shreir, Henda Ducados, Janaína Oliveira, Nuotama Bodomo, Yasmina Price

ReviewsOctober 5, 2023

Who will wear a crown? On Angela Schanelec’s ‘Music’

By Laura Staab

ReviewsAugust 1, 2023

Rebecca Liu on ‘Barbie’

By Rebecca Liu

ReviewsFebruary 26, 2023

Helen Charman on ‘The Eternal Daughter’

By Helen Charman

ReviewsJanuary 25, 2023

Rebecca Liu on Maria Schrader’s She Said

By Rebecca Liu

ReviewsJanuary 25, 2023

Nathalie Olah on Aftersun

By Nathalie Olah

ReviewsOctober 27, 2022

Georgie Carr on Ruben Östlund’s ‘Triangle of Sadness’

By Georgie Carr

NewsJune 24, 2020

Another Gaze x Fitzcarraldo: Moyra Davey’s ‘Index Cards’ Launch + Screening

By Another Gaze

NewsMay 27, 2020

Call for Pitches | Another Gaze 05: The Old World May Be Dead

By Another Gaze

NewsMay 5, 2020

Another Gaze presents: The Legacies of Sarah Maldoror (1929–2020) —12 May 2020

By Another Gaze

Portrait of a FilmmakerJuly 8, 2023

Ecologies of Grief: Two Films by Leena Habiballa

By Murtada Elfadl

Portrait of a FilmmakerSeptember 6, 2022

My Own Lens and Skin: An Interview with Betzy Bromberg

By Kathryn Siegel

Portrait of a FilmmakerOctober 22, 2019

Portrait of Iris Elezi

By Another Gaze

Portrait of a FilmmakerAugust 5, 2019

Portrait of Isabella Eklöf

By Another Gaze

Portrait of a FilmmakerAugust 3, 2019

The Woman Everyone Knows: In Conversation With Aminatou Echard

By Daniel Kasman

Essays, Portrait of a FilmmakerJune 26, 2019

The Visible Woman: In Conversation with Penny Slinger

By Sophia Satchell Baeza

Portrait of a FilmmakerMarch 17, 2019

“Deconstruct, reconstruct, challenge, celebrate”: In Conversation With Barbara Hammer

By Another Gaze

Portrait of a FilmmakerFebruary 9, 2019

Portrait of Teona Strugar Mitevska

By Another Gaze

Portrait of a FilmmakerJanuary 23, 2019

Portrait of Penny Lane

By Another Gaze

Festivals, ReviewsSeptember 21, 2020

Broad Horizons and Shallow Vistas in Chloé Zhao’s ‘Nomadland’ —TIFF 2020

By Esmé Hogeveen

Festivals, ReviewsOctober 20, 2019

The 57th New York Film Festival: Looking Towards Convergences in a Cluster of Films

By Bessie Rubinstein

Festivals, ReviewsOctober 16, 2019

Mati Diop’s ‘Atlantique’ (‘Atlantics’) turns to the women left behind

By Another Gaze